Art, Hospitality, and Seeing Like Jesus: the secret to the beautiful life | with Jennifer Trafton

Apr 14, 2026

Lilias Trotter was a woman who did not fit the mold of her Victorian era. Born in 1853 into upper-class England, she was an exceptionally gifted artist mentored by John Ruskin, one of the most prominent art critics of her time. Yet, rather than pursuing conventional success and artistic fame, she chose a path of surrender—one that blended beauty, compassion, and deep spiritual vocation. She has much to teach us about a life of joyful surrender to God’s gentle leading.

Did you know? Lilias Trotter inspired the famous hymn, Fix Your Eyes Upon Jesus – yes, so that “all things will grow strangely dim in the light of His glory and grace.”

Listen to the Episode: https://www.podcastics.com/episode/410216/link/ 

Watch the conversation on YouTube: https://www.youtube.com/gospelspice 

Stephanie welcomes Jennifer Trafton, who just released “If only we could see”, a wonderful new biography of Lilias Trotter. Jennifer explains how she became captivated with Lilias, whose “adventurous, interesting, fascinating life” radiated with childlike delight, generosity, and profound love for God. Victorian artist and missionary Lilias Trotter teaches us much about the practice of “seeing”—both literally and spiritually— and how it transforms us and the world around us.

Lilias’s training as an artist under Ruskin taught her to “see well”—not just the details of nature, but the overlooked people in her society. She moved from painting to working with the most impoverished communities in London, especially young women vulnerable in the city. In partnership with movements like the YWCA and revivalist preacher D.L. Moody, Lilias dedicated herself to listening, serving, and providing safety and practical help for working-class girls and women subject to exploitation and trafficking.

Her artistry was inseparable from her love for people. This “way of seeing”—attentive, joyful, and present—became her creative and spiritual calling. Lilias’s vision challenges us to integrate our gifts and passions into practical love for others.

A key metaphor for Lilias’s life is the dandelion—“full face to the sun” (representing Christ), then surrendered as seeds blown by the wind of the Holy Spirit to places and purposes beyond our control. Lilias did not chase worldly success. Lilias believed in offering her life freely to God, trusting Him to use every skill, experience, or seeming detour for His glory. The measure of a “successful life” is not accomplishment or recognition, but faithfulness and openness to the Spirit.

The lesson of Lilias’s life is that we are all called to both see others as Christ sees them, and to rest in the assurance that we ourselves are fully seen and loved by God. Her legacy is less about artistic fame and more about the deep creative, transformative hospitality she brought to every relationship.

Lilias Trotter’s “beautiful life” continues to inspire because she shows that to be fully present, fully surrendered, and fully attentive is to live in step with God’s purposes. Whether you’re an artist or not, her story invites you to open your eyes and your life, so that God’s glory and gladness shine out through you, in Christ Jesus.

Next Steps for Listeners

  • Practice seeing: Pay attention—to beauty, to overlooked people, to God’s presence in the present moment.
  • Surrender your gifts: Offer your unique talents, passions, and opportunities to God without demanding a particular outcome.
  • Root yourself in your belovedness through Christ: Know that, like Lilias, your worth is secure in being seen by God—which frees you to serve, love, and see others anew.
  • Let your life be scattered as seed, trusting Christ’s Holy Spirit to bear fruit, however and whenever God chooses.

MORE ABOUT “IF ONLY WE COULD SEE”

“God only knows the endless possibilities that lie enfolded in each of us.” – Lilias Trotter

In the late 19th century, Lilias Trotter stood at the threshold of artistic fame, her extraordinary talent praised by the renowned critic John Ruskin. Yet, at the height of her promise, she made a radical choice that would define the course of her life. Turning away from worldly recognition and social convention, she forged her own path—one that led her through the roughest streets of London and, ultimately, to the deserts of North Africa. There, her artistic and spiritual journeys intertwined as she expanded the many-colored canvas of her creativity to embrace not only the sweeping vistas of the Sahara, but also the lives of the Arab people she loved.

Blending biography, personal engagement, and theological reflection, Trafton takes readers on an intimate journey with Lily as her friends knew her – a visionary who saw the world with an artist’s eye and a missionary’s heart, and whose imaginative empathy and creative compassion transformed the lives of those she encountered. More than the story of one remarkable woman, this book is an invitation to experience the beauty of creation with fresh wonder, to look at our neighbors through new lenses, and to discover what “beautiful possible life” awaits each one of us as we follow the call of the Divine Artist.

MORE ABOUT JENNIFER TRAFTON

Jennifer Trafton is a storyteller and artist with a passion for exploring the intersections of faith, creativity, and the arts. She studied church history and theology at Wake Forest University, Gordon-Conwell Theological Seminary, and Duke University, focusing on the 19th-century writer George MacDonald and his influence on Christian views of the imagination. After serving as managing editor of Christian History & Biography magazine and a curriculum writer and editor for the StoneWorks Global Arts Initiative, she has been a regular conference speaker, writer, teacher, editor, and illustrator for the Nashville-based Rabbit Room creative community for over a decade. Her first two novels for children, The Rise and Fall of Mount Majestic and Henry and the Chalk Dragon, received starred reviews and multiple award nominations, and she has since collaborated on or contributed to a wide array of projects including The Wingfeather Tales, The Lost Tales of Sir Galahad, Every Moment Holy, Vol. III: The Work of the People, and J. R. R. Tolkien and the Arts: A Theology of Subcreation. She recently illustrated Glad and Golden Hours: A Companion for Advent and Christmastide by Lanier Ivester (Rabbit Room Press, 2024).

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